“Imagine a city where graffiti wasn’t illegal, a city where everybody could draw whatever they liked. Where every street was awash with a million colours and little phrases. Where standing at a bus stop was never boring. A city that felt like a party where everyone was invited, not just the estate agents and barons of big business. Imagine a city like that and stop leaning against the wall – it’s wet.” ― Banksy, Wall and Piece

Local art and craft aren’t just aesthetic flourishes; they’re economic engines and cultural lifelines. According to UNESCO’s Creative Economy Report, cultural and creative industries generate over $2.25 trillion globally and employ nearly 30 million people. That’s includes painters, weavers, potters, musicians, metalworkers, actors, poets, and dancers.

Local art has a profound psychological impact. Studies published in The Journal of Positive Psychology show that engaging with art—whether creating it or experiencing it—reduces stress, fosters empathy, and enhances well-being. Dance and theater, in particular, engage the body and mind, offering catharsis, connection, and a form of storytelling that transcends words. Art is also medicine.

Yet despite its importance, local art often struggles to survive in the face of globalization, gentrification, and budget cuts. Public funding for the arts is perpetually on the chopping block, treated as an optional luxury rather than a fundamental part of civic life. In the U.S., federal arts funding per capita is less than $1.50 annually, Germany invests over $20 per capita, and Finland almost $90 per capita.

And then there’s the commodification problem. The global market devours authenticity, repackages it, and sells it back with a markup. “Handmade” items flood online marketplaces, mass-produced in factories while marketed as rustic and unique.

Local art resists this homogenization. It’s rooted in place, reflecting the landscapes, histories, and communities from which it emerges. Street murals in Bogotá, Colombia, aren’t just colorful backdrops are vibrant expressions of political resistance, cultural pride, and urban storytelling. In Detroit, artists have transformed abandoned buildings into canvases, reclaiming public spaces and challenging narratives of decay with bold declarations of resilience.

Supporting local art creates ecosystems where creativity can flourish. This means funding public art projects, providing affordable studio spaces, and integrating arts education into schools—not as an afterthought, but as a core part of the curriculum. After all, the future’s most pressing problems won’t be solved by memorizing facts but by thinking creatively, connecting dots, and imagining alternatives.

In Oaxaca, Mexico, traditional crafts reflect centuries of cultural heritage, blending Indigenous techniques with contemporary designs. This isn’t nostalgia—it’s living culture. Similarly, in Kyoto, Japan, crafts like kintsugi (the art of repairing broken pottery with gold) embody philosophies of impermanence and beauty in imperfection, teaching lessons far beyond the object itself. In Finland, arts education is embedded into the national curriculum, emphasizing creativity alongside literacy and numeracy. The result? A society where innovation thrives, not because of rote memorization, but because people are encouraged to think differently.

Similarly, the city of Medellín, Colombia, invested heavily in public art and cultural infrastructure as part of its urban renewal efforts, transforming former no-go zones into vibrant community hubs. In Morocco’s Fez medina, tanners still work leather using centuries-old methods, their craft passed down through generations. In Appalachia, quilt-making preserves both artistic expression and historical narratives. These crafts aren’t hobbies; they’re cultural archives stitched, carved, and woven into existence. Even quilts—like the AIDS Memorial Quilt—serve as powerful acts of remembrance and resistance, stitching personal grief into collective history.

Public spaces are canvases, too. Cities like Melbourne, Australia, embrace street art as a legitimate form of cultural expression, rather than criminalizing it. The result isn’t urban decay—it’s urban vibrancy. Art in public spaces democratizes creativity, breaking down barriers between “high” and “low” art, between the gallery and the street.

Local art also builds economic resilience. The creative economy isn’t just about galleries and theaters; it includes festivals, design studios, music venues, and artisan markets. These sectors generate jobs, attract tourism, and revitalize neighborhoods. A 2019 report by the National Endowment for the Arts found that arts and cultural production contributed over $877 billion to the U.S. economy, supporting 5.1 million jobs.

Art creates spaces for connection in an increasingly disconnected world. It fosters empathy, bridges cultural divides, and reminds us of our shared humanity. When algorithms curate our experiences and digital interactions replace face-to-face conversations, local art grounds us in place and in each other.

So how do we support it? First, fund it—not just the glamorous stuff, but grassroots initiatives, community arts programs, and emerging artists. Establish public grants, tax incentives, and artist residencies. Create affordable spaces for artists to live and work, resisting the gentrification cycle where artists move into neglected areas, make them vibrant, and then get priced out.

Second, integrate art into everyday life. Commission public murals, install sculptures in parks, and support local music scenes. Imagine bus stops designed by local artists or crosswalks painted with community-generated designs. Art doesn’t have to be confined to museums; it can be part of the urban fabric.

Third, value art education. Teach kids not just how to replicate techniques but how to think creatively, critique thoughtfully, and express authentically. An education system that treats art as optional stifles the very imagination needed to solve complex problems.

Finally, buy local art. Support local markets, galleries, and craft fairs. Skip the mass-produced decor and invest in something made by a real person with a story, not a machine with an assembly line. When you buy local art, you’re not just purchasing an object; you’re investing in a community, a culture, and a future where creativity thrives.

Therefore, under Folklaw:

Local art and craft shall be supported through public funding, community art spaces, and educational programs that nurture creativity from an early age. Policies will provide grants, tax incentives, and affordable studio spaces for artists and artisans. Public art will be integrated into urban planning, with community participation in design and execution.

Arts education will be a core component of school curricula, emphasizing both traditional crafts and contemporary artistic practices. Indigenous and marginalized artists will receive dedicated support to preserve cultural heritage and promote diverse voices. Festivals, markets, and cultural events celebrating local art will be funded and promoted as essential to community identity.